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August 20 Votevote for their favourite artwork onsite in Singapore Art Museum and online at: http://www.nhb.gov.sg/sam/signatureartprize เครื่องนุ่งห่มสมัยนิยม 2552โครงงาน : เครื่องนุ่งห่มสมัยนิยม 2552 / โดย จักรกริช ฉิมนอก
ที่มาและแนวคิด
มนุษย์เป็นสัตว์สังคมอยู่รวมกันเป็นกลุ่ม ใช้ทรัพยากรจากธรรมชาติและทรัพยากรที่คิดค้นประดิษฐ์ขึ้นโดยมีจุดมุ่งหมายเดียวกันคือเพื่อความอยู่รอดในการสืบทอดเผ่าพันธุ์ของตน ในยุคแรกเริ่มเครื่องนุงห่มเป็นสิ่งที่มนุษย์ประดิษฐ์ขึ้นเพื่อปกป้องร่างกายจากสภาพภูมิอากาศ จนกระทั้งวิทยาการเจริญก้าวหน้า เครื่องนุ่งห่มมีวิวัฒนาการเปลี่ยนแปลงจากรูปแบบและหน้าที่การใช้สอยหนึ่งไปสู่รูปแบบอื่นๆทาง สังคมมากมาย เช่น แสดงถึงความมีอำนาจ ของหัวหน้าเผ่า แสดงถึงชนชั้นการปกครองทางสังคม หน้าที่ความรับผิดชอบ และรสนิยมอื่นๆ ของคนในสังคม ซึ่งสะท้อนให้เห็นถึงวัฒนธรรม สภาพสังคมและสิ่งแวดล้อม ฯลฯ ข้าพเจ้าต้องการนำเสนอ เครื่องนุ่งห่มสมัยนิยม 2552 ถึงสภาพสิ่งแวดล้อมและสังคมในปัจจุบันที่มีผลกระทบมาจากการดำเนินชีวิตของคนในสังคม โดยใช้ดินตระกอนและตะไคร้น้ำที่เกิดจากแหล่งน้ำทิ้งมาใช้ย้อมสีผ้าเพื่อทำเป็นเครื่องนุ่งห่มและประดิษฐ์เป็นสิ่งของเครื่องใช้ในชีวิตประจำวัน ในการสร้างสรรค์งานทัศนศิลป์ โดยจัดแสดงในรูปแบบInstallation Art และ Performance January 31 ASIATOPIA8/2006ASIATOPIA Internationl Performance Art Festival started in 1998 with an aim to promote performance art practice in Thailand and South ease Asia. One of its main tasks is to encourage artistic exchange among international practitioners and local artists.Asiatopia Performance Art Festival Focuses on public in tervention and encourages artistic exchanges with the pubic/audience In this way ,Asiatopia has also helped to develop a network of artists in the region. ASIATOPIA8/2006 " performancw Art & the public space"
"What you see ?" Work is performance art
Concept of work. The thing we see it may not real, and the think we can not see it may be real. C.H.C.H. Company Project: “Walking - Weaving” 2006From the past till now, humans have used different material to cover their body for warmth or beauty. Making clothes by weaving thread creates a lot of patterns and colors. Those remind us the diversity in ethnicity, ways of live, cultures and customs of each location. The revolution of cloth also tells us about the timeline of creation and modern weaving technology which fits human’s need both in function and beauty. C.H.C.H. Company Project: “Walking - Weaving” 2006 will present and create beauty from colors, the weaving process and overlapping of threads by audiences. The process will crate a movement of pattern, form, shape and color within a fixed space. October 10 C.H.C.H. Company Project : Between Me & spaces 2006C.H.C.H. Company Project:
Between me & Spaces 2006 จักรกริช ฉิมนอก/ChakkritChimnok กำแพงสีเทาของเมฆอึมครึมจับตัวแน่น
อากาศแห้งจากความหนาวเย็น ละอองฝน ดอกบัวพ้นจากผิวน้ำแข็ง ชีวิตทะยานไปข้างหน้าสู่จุดหมายปลายทาง กิ่งก้านหงิกงอ เหง้าไม้ใหญ่ฝังตัวลึกใต้พื้นดิน พื้นดินปกคลุมด้วยหิมะสกปรก รอยเท้าผู้คน รากไม้ใหญ่ดูดน้ำเลี้ยงหิมะสกปรกนั้น ไม่มีอะไร ไม่มีอะไรอื่น จากความคิดถึง ทบทวนชีวิตและสิ่งที่เกิดขึ้น The grey wall of cloud gathering tight Dry air from the cold weather Drizzle Lotus above the icy surface Life is rushing ahead to the destination Bending branch Big root is buried under the ground The earth covered with dirty snow Footsteps of people Big root sucks the water to support the dirty snow Nothing.. nothing else From the thinking Revise life and things that happened Translate by Donjai April 09 C.H.C.H. company Project : Made in Blackburn/UK 2006The project, entitled “Collaboration – Human – Community – Habit: Made in Blackburn,” is the second in a series following the project in Fukuoka, Japan. In Japan, Chakkrit worked with local textile students to explore creating garments from banana leaves, crossing the boundaries between art, fashion and design. Chakkrit will be based at the Textile and Fashion department of Blackburn College until March 20 2006 and is hosting an intensive four-week project involving the participation of textile students from the college. The project will represent a company producing clothes and decorative wears made from recycled materials, resulting in a display of the work at Blackburn College. The goal is to encourage people to think about the over-consumption of resources and to learn how to solve pollution problems through creative means. Chakkrit is very enthusiastic about working with the students and said: "Local culture symbolises the condition of living with nature. At times, local culture's relationship with nature causes it to be seen as less developed when compared with standards set by the industrialised, western world.“
November 21 Chakkrit Chimnok' CVChakkrit Chimnok
Born in Chiyaphum, Thailand, 1978, Lives and works in Chiang Mai, Thailand
Address Meo Jai Dee studio,Soi 1 Nimmanhemin Rd, A. Muang, Chiang Mai, Thailand 50200 e-mail : chakke@hotmail.com Education 2001 BFA(Major: Sculpture, Minor:Printmaking),Faculty of Fine Arts, Chiang Mai University, Chiang Mai 1997 Graduated from College of Fine Arts, Bangkok, Thailand Art Exchange Programme 2006 Art Services Department of Culture, Blackburn, United Kingdom, 1 month 2005 Fukuoka Asian Art Museum, Fukuoka, Japan , 3 month 2004 Theatreworks, Singapore, 1 month
Solo Exhibitions 2006 C.H.C.H. company Project : Between Me & spaces 2006. Ji..Qoo Art space .Chiang Mai 2003 Untitled, Central Airport Plaza, Chiang Mai What People Can See With Their Eyes, Ran Lao Gallery, Chiang Mai 2001 Fun of 14th October, Tammasart University, Bangkok Art for Life, Chiang Mai Art Museum, Chiang Mai 2000 WHAT IS WHAT ? Ran Lao Gallery, Chiang Mai
Group Exhibitions 2007
Kaohsiung Internationl Container Art Festival 2007,Sustainnable Cosmopolis : Eco-container Art Project,( Light Team : Sutthirat Supaparinya and Chatchai Suban) ,Kaohsiung Musuem of Fine Arts , Kaohsiung city, Taiwan
The 9th Asiatopia International Performance Arts Festival ,Pubblic space ,Chiang mai ,Thailand
The 1st ComPeung Out Art Event, Compeung Village of Creativity, Doi Sket, Chiang mai, Thailand
"FT3D" Art exhibition "The Body-Imagination-Dried Banana Leaf 2006”, The art space, Japan Foundation, Bangkok, Thailand
The 3rd Fukuoka Asian Art Triennale 2006 “The Body-Imagination-Dried Banana Leaf”,Blaceburn Art Museum,UK
Workshop C.H.C.H. company Project : Made in Blackburn 2006,Blackburn with Drawen Art and Design College,UK
Artwish 2006,Amarin Plasa.Bangkok,Thailand 2005 The 3rd Fukuoka Asian Art Triennale 2005 “The Body-Imagination-Dried Banana Leaf”, Fukuoka Asian Art Museum, Fukuoka, Japan Workshop C.H.C.H. company Project : Made in Fukuoka/Japan 2005, Fukuoka Asian Art Museum, Fukuoka, Japan 2004 Zogzag Village in the part of Insomnia 48, The Art House-The Old Parliament, Singapore Brown Forest, Soi 1 Nimmanheaminda Road, Chiang Mai The 6th Asiatopia, Thapsiri Gallery, Chiang Mai Beautyform Unisuit: Pla Pro Mode In Lamphum ( Fly with Me to Another World’s project), Japan Foundation Gallery, Bangkok And Hariphunchai National Museum, Lamphum, Thailand 2003 The 5th Asiatopia, Chiang Mai Art Museum, Chiang Mai Meeting Performance Art 2, Faculty of Fine Arts, Chiang Mai University, Chiang Mai Meeting Performance Art 1, Ran Lao Gallery, Chiang Mai One Day Exhibition, Umong Sippadhamma, Chiang Mai Beauty Suit, Chiang Mai Art Museum, Chiang Mai Chiang Mai Social Installation: MOK-MUAN, Museum of Art and Culture, Chiang Mai Design Competition, Faculty of Fine Arts, Chiang Mai University , Chiang Mai 2002 World of Wearableart Awards, WOW Museum, Nelson, New Zealand Metro Color Fashion 2002, Metro Technology School, Chiang Mai ASEAN Trade fair 2002 Bangkok, Department of Export Promotion Ministry of Commerce, Royal Thai Government, Bangkok The 19th young Artist Art competition, Silpakorn University, Bangkok Same Same, Heinrich Boell Foundation space, Chiang Mai The 6th Art and Culture Festival, Loveable Gallery, Chiang Mai 2001 Thesis Art Exhibition, Chiang Mai Art Museum, Chiang Mai Art Against War, Chiang Mai Art Museum, Chiang Mai Where am I? : The 5th Art and Culture Festival, Faculty of Fine Arts, Chiang Mai University, Chiang Mai 2000 The 1st Cheju International Print Art Festival, Gallery of Cheju, Cheju City Student’s Culture Center and Gidang Contemporary Art Museum of Seogeipo, Cheju, Korea 1999 Home, Faculty of Fine Arts, Chiang Mai University, Chiang Mai Contemporary Art Competition, Thai Farmer Bank, Bangkok 1998 Let’s Print, Kad Suan Kaew, Chiang Mai Prung Sri Krawee Krawad, Pinmala Art Gallery, Chiang Mai University Paper Art Exhibition in living Room 1997, Chugit House Gallery, Chiang Mai
October 15 Chakkrit Chimnok-Biography
Chakkrit Chimnok-Biography Chakkrit Chimnok is a young artist who works with sculpture, fashion and performance. Trained in sculpture at the Department Faculty of Fine Arts, Chiangmai University, Thailand, Chakkrit works with recycled materials. He is interested in the changing form and perception of materials in order to play with audience perception. This year he has been invited to participate in the Third Fukuoka Asian Art Triennale, Fukuoka Asian Art Museum, Japan where he will exhibit his range of banana leaf fashion and installation work. This work will also be exhibited at the Blackburn Museum and Art Gallery, U.K. He is currently based in Chinag Mai and is a member of the Beauty Suit Artist Collective. What? Why? Workshop C.H.C.H. company project 2005Workshop C.H.C.H Company: Made in Fukuoka Project 2005/Japan (Collaboration – Human – Community – Habit) ………………………………………………………………………………………
Background In my work, I create art in relation with one of the 4 basic necessaries of life which is cloth (the others are food, address and medicine) and present it in a form of fashion show to link my work with contemporary everyday life, people’s interest and the world in the age of information and advertising.
The project C.H.C.H Company: Made in Fukuoka will represent a company producing cloths and decorative wears made from recycle materials in a form of fashion show. The goal is to encourage people to think about the over resources consumption and to learn how to solve pollution problems.
Objectives 1. To encourage a process of using art to make profits in different communities. 2. To encourage a process of thinking and creating ways to solve problems in society. 3. To provide alternative activities for the youth and public. 4. To stimulate people to think about over resources consumption and provide alternative ways to solve problems with left materials.
Project Activities
Expected Result
October 14 Fukuoka Fshion Live'05Fukuoka Fshion Live'05 A two-part event,with Fukuoka Asian Collection 2006 Spring/summer,an the Asian fashion show, as Part 1 and Fukuoka Fashion Live'05,Featuring hair shows and other attraction,as Part 2.Part 1 will feature clothes designed by Thai artist Chakkrit Chimnok. Date: Mon 14 November< Part 1 Asian collection 1st stage 14:00;Part 2 Fukuoka Fashion Live 2nd stage 18:00, 3rd stage 20:00> Place: Crossing Hall,Hotel ll Palazzo <3-13-1 Haruyoshi, Chuo-ku, Fukuoka> Cost: 3,500 Yen Part 1 1st stage < student 3,000 Yen> 3,000 Yen Part 2 2nd stage/ 2,000 Yen Papt 2 3rd stage Inquiries: Fukuoka Asian Collection Committee 092-715-8211
<Ajibi New ,2005 october Vol.22 ; Fukuoka Asian Art Museum News> October 13 FT3 Fukuoka triennale 2005/Japan(The Body-Imagination-Dried Banana Leaf 2005)The Body-Imagination-Dried Banana Leaf 2005Local culture symbolizes the condition ofLiving with nature causes it to be seen as being less deverloped when compared with standards set by the industrialized, westernworld. Thus, the west is often consiiddred as being a force that contributes to the destrution of local culture. Everything has developed under the same paradigms which were estabished long ago. Both dissent and assent are significant in times of change,ad new paradigms bob up like mushrooms that grow when the seasons change.All structures are linked to other structures,each structure has its own dynamics and when they come together new possibilities for change are born. The boundaried between these structures are blurred because each structures ovverlaps and mixes with other structures. This makes many forms seem unclear. Bananaleaves are traditionally used for many functional purposes in Thai society. Through using them in my work I aim to acknowledge the importance of local knowledge, whilst at the same time allowing the material to express a new relationship with present day society. The aim of this project is to forge a connection between local knowledge and mainstream development in our era. |
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